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Chinese Symbol For Werewolf


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Chinese Symbol For Werewolf

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Translation of "heulender wolf" in English

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Chinese Symbol For Werewolf

It was first published in and is now off copyright so we can use it here. Every professor who teaches Buddhism or Eastern Religion has a copy of this on their bookshelf.

We incorporated these 16, entries into our dictionary database ourselves it was lot of work. Combined, these cover 1,, Japanese, Chinese, and Buddhist characters, words, idioms, names, placenames, and short phrases.

Just because a word appears here does not mean it is appropriate for a tattoo, your business name, etc.

Please consult a professional before doing anything stupid with this data. November 15, at pm. I will like to be a real werewolf in real life.

I want to now how it feels to be a werewolf. November 16, at pm. January 27, at pm. Leave a Reply Cancel reply Enter your comment here Fill in your details below or click an icon to log in:.

Email required Address never made public. Name required. Search this Blog Search for:. Blogroll WordPress. The literal translation of these characters is "autumn field dog".

Note: This title is Japanese only. In China, this breed of dog is referred to as "The Japanese breed" literally: Japanese hound.

Chinese title:. This Chinese proverb literally translates as: Hunt foxes stealthily, [and] hunt wolves openly [just as they themselves do].

Figuratively, this means: Different opponents require different appropriate strategies. This is a suggestion that you should know your enemy, and know that each enemy is different, that therefore requires a specialized approach attack.

Successful Chinese Character and Japanese Kanji calligraphy searches within the last few hours When the calligrapher finishes creating your artwork, it is taken to my art mounting workshop in Beijing where a wall scroll is made by hand from a combination of silk, rice paper, and wood.

Gurahl , bear. Kitsune , fox. Nagah , snake. Nuwisha , coyote. Ratkin , rat. Rokea , shark. North America. South America. Gnosis , Magical power.

Garou , werewolf. Pack , group, circle, alliance. Garou Nation. Rage , frenzy. Lost Cub. Silver Pack. Silver Record. War of Rage.

Gaia , earth, life, peace. Luna , the moon. Helios , the sun. Rite of Passage. Rite of Binding. Rite of the Fetish. Spirit Jaggling , Gaffling. Deep Umbra.

Dark Umbra. Middle Umbra. Caoshu , cursive written text, are what inspired some simplified characters, and for others, some were already in use in print text, albeit not for most formal works.

In the period of Republican China , discussions on character simplification took place within the Kuomintang government and the intelligentsia, in an effort to greatly reduce functional illiteracy among adults, which was a major concern at the time.

Indeed, this desire by the Kuomintang to simplify the Chinese writing system inherited and implemented by the Communist Party of China after its subsequent abandonment also nursed aspirations of some for the adoption of a phonetic script based on the Latin script , and spawned such inventions as the Gwoyeu Romatzyh.

A second round of character simplifications known as erjian , or "second round simplified characters" was promulgated in As opposed to the second round, a majority of simplified characters in the first round were drawn from conventional abbreviated forms, or ancient forms.

This clerical form uses one fewer stroke, and was thus adopted as a simplified form. Simplified chinese simply merges them. In the years after World War II , the Japanese government also instituted a series of orthographic reforms.

Many variant forms of characters and obscure alternatives for common characters were officially discouraged. This was done with the goal of facilitating learning for children and simplifying kanji use in literature and periodicals.

Singapore underwent three successive rounds of character simplification. These resulted in some simplifications that differed from those used in mainland China.

It ultimately adopted the reforms of the People's Republic of China in their entirety as official, and has implemented them in the educational system.

However, unlike in China, personal names may still be registered in traditional characters. Malaysia started teaching a set of simplified characters at schools in , which were also completely identical to the Mainland China simplifications.

Chinese newspapers in Malaysia are published in either set of characters, typically with the headlines in traditional Chinese while the body is in simplified Chinese.

Although in both countries the use of simplified characters is universal among the younger Chinese generation, a large majority of the older Chinese literate generation still use the traditional characters.

Chinese shop signs are also generally written in traditional characters. In the Philippines , most Chinese schools and businesses still use the traditional characters and bopomofo , owing from influence from the Republic of China Taiwan due to the shared Hokkien heritage.

Recently, however, more Chinese schools now use both simplified characters and pinyin. Since most readers of Chinese newspapers in the Philippines belong to the older generation, they are still published largely using traditional characters.

Public and private Chinese signage in the United States and Canada most often use traditional characters.

The characters in the Hong Kong standard and the Kangxi Dictionary are also known as "Traditional," but are not shown. There are numerous styles, or scripts, in which Chinese characters can be written, deriving from various calligraphic and historical models.

Most of these originated in China and are now common, with minor variations, in all countries where Chinese characters are used.

It evolved organically out of the Spring and Autumn period Zhou script, and was adopted in a standardized form under the first Emperor of China , Qin Shi Huang.

The seal script, as the name suggests, is now used only in artistic seals. Few people are still able to read it effortlessly today, although the art of carving a traditional seal in the script remains alive; some calligraphers also work in this style.

The basic character shapes are suggested, rather than explicitly realized, and the abbreviations are sometimes extreme. Despite being cursive to the point where individual strokes are no longer differentiable and the characters often illegible to the untrained eye, this script also known as draft is highly revered for the beauty and freedom that it embodies.

Some of the simplified Chinese characters adopted by the People's Republic of China , and some simplified characters used in Japan, are derived from the cursive script.

The Japanese hiragana script is also derived from this script. There also exist scripts created outside China, such as the Japanese Edomoji styles; these have tended to remain restricted to their countries of origin, rather than spreading to other countries like the Chinese scripts.

The art of writing Chinese characters is called Chinese calligraphy. It is usually done with ink brushes. In ancient China, Chinese calligraphy is one of the Four Arts of the Chinese Scholars.

There is a minimalist set of rules of Chinese calligraphy. Every character from the Chinese scripts is built into a uniform shape by means of assigning it a geometric area in which the character must occur.

Each character has a set number of brushstrokes; none must be added or taken away from the character to enhance it visually, lest the meaning be lost.

Finally, strict regularity is not required, meaning the strokes may be accentuated for dramatic effect of individual style.

Calligraphy was the means by which scholars could mark their thoughts and teachings for immortality, and as such, represent some of the most precious treasures that can be found from ancient China.

Ming and sans-serif are the most popular in body text and are based on regular script for Chinese characters akin to Western serif and sans-serif typefaces, respectively.

Regular script typefaces emulate regular script. The names of these styles come from the Song and Ming dynasties, when block printing flourished in China.

Regular script typefaces are also commonly used, but not as common as Ming or sans-serif typefaces for body text. Regular script typefaces are often used to teach students Chinese characters, and often aim to match the standard forms of the region where they are meant to be used.

Most typefaces in the Song dynasty were regular script typefaces which resembled a particular person's handwriting e.

Just as Roman letters have a characteristic shape lower-case letters mostly occupying the x-height , with ascenders or descenders on some letters , Chinese characters occupy a more or less square area in which the components of every character are written to fit in order to maintain a uniform size and shape, especially with small printed characters in Ming and sans-serif styles.

Despite standardization, some nonstandard forms are commonly used, especially in handwriting. In older sources, even authoritative ones, variant characters are commonplace.

For example, in the preface to the Imperial Dictionary , there are 30 variant characters which are not found in the dictionary itself.

The nature of Chinese characters makes it very easy to produce allographs variants for many characters, and there have been many efforts at orthographical standardization throughout history.

In recent times, the widespread usage of the characters in several nations has prevented any particular system becoming universally adopted and the standard form of many Chinese characters thus varies in different regions.

Mainland China adopted simplified Chinese characters in They are also used in Singapore and Malaysia.

Traditional Chinese characters are used in Hong Kong , Macau and Taiwan. Postwar Japan has used its own less drastically simplified characters, Shinjitai , since , while South Korea has limited its use of Chinese characters, and Vietnam and North Korea have completely abolished their use in favour of Vietnamese alphabet and Hangul , respectively.

In addition to strictness in character size and shape, Chinese characters are written with very precise rules. The most important rules regard the strokes employed, stroke placement, and stroke order.

Just as each region that uses Chinese characters has standardized character forms, each also has standardized stroke orders, with each standard being different.

Most characters can be written with just one correct stroke order, though some words also have many valid stroke orders, which may occasionally result in different stroke counts.

Some characters are also written with different stroke orders due to character simplification. Chinese characters are primarily morphosyllabic , meaning that most Chinese morphemes are monosyllabic and are written with a single character, though in modern Chinese most words are disyllabic and dimorphemic, consisting of two syllables, each of which is a morpheme.

However, a few morphemes are disyllabic, some of them dating back to Classical Chinese. They are usually written with a pair of phono-semantic compound characters sharing a common radical.

Neither exists as an independent morpheme except as a poetic abbreviation of the disyllabic word. In certain cases compound words and set phrases may be contracted into single characters.

These do see use, particularly in handwriting or decoration, but also in some cases in print. Modern examples particularly include Chinese characters for SI units.

These have now fallen out of general use, but are occasionally seen. The use of such contractions is as old as Chinese characters themselves, and they have frequently been found in religious or ritual use.

In most other languages that use the Chinese family of scripts , notably Korean, Vietnamese, and Zhuang, Chinese characters are typically monosyllabic, but in Japanese a single character is generally used to represent a borrowed monosyllabic Chinese morpheme the on'yomi , a polysyllabic native Japanese morpheme the kun'yomi , or even in rare cases a foreign loanword.

These uses are completely standard and unexceptional. Often a character not commonly used a "rare" or "variant" character will appear in a personal or place name in Chinese, Japanese, Korean, and Vietnamese see Chinese name , Japanese name , Korean name , and Vietnamese name , respectively.

This has caused problems as many computer encoding systems include only the most common characters and exclude the less often used characters.

This is especially a problem for personal names which often contain rare or classical, antiquated characters.

Newspapers have dealt with this problem in varying ways, including using software to combine two existing, similar characters, including a picture of the personality, or, especially as is the case with Yu Shyi-kun, simply substituting a homophone for the rare character in the hope that the reader would be able to make the correct inference.

Taiwanese political posters, movie posters etc. Japanese newspapers may render such names and words in katakana instead, and it is accepted practice for people to write names for which they are unsure of the correct kanji in katakana instead.

There are also some extremely complex characters which have understandably become rather rare. However, these are not in common use.

In Japanese , an stroke kokuji exists: , normally read taito. The most complex Chinese character still in use may be [ according to whom? The fact that it represents a syllable that does not exist in any Standard Chinese word means that it could be classified as a dialectal character.

Taito , "the appearance of a dragon in flight". The total number of Chinese characters from past to present remains unknowable because new ones are being developed all the time — for instance, brands may create new characters when none of the existing ones allow for the intended meaning — or they have been invented by whoever wrote them and have never been adopted as official characters.

Chinese characters are theoretically an open set and anyone can create new characters, though such inventions are rarely included in official character sets.

Even the Zhonghua Zihai does not include characters in the Chinese family of scripts created to represent non-Chinese languages, except the unique characters in use in Japan and Korea.

Modified radicals and new variants are two common reasons for the ever-increasing number of characters.

There are about radicals and are in common use. This practice began long before the standardization of Chinese script by Qin Shi Huang and continues to the present day.

Knowing the meanings of the individual characters of a word will often allow the general meaning of the word to be inferred, but this is not always the case.

Studies in China have shown that literate individuals know and use between 3, and 4, characters. Specialists in classical literature or history, who would often encounter characters no longer in use, are estimated to have a working vocabulary of between 5, and 6, characters.

GB , an early version of the national encoding standard used in the People's Republic of China , has 6, code points. GB , the modern, mandatory standard, has a much higher number.

The Chinese Standard Interchange Code CNS —the official national encoding standard—supports 48, characters, while the most widely used encoding scheme, BIG-5 , supports only 13, In general, it is common practice to use standard characters to transcribe Chinese dialects when obvious cognates with words in Standard Mandarin exist.

However, when no obvious cognate could be found for a word, due to factors like irregular sound change or semantic drift in the meanings of characters, or the word originates from a non-Chinese source like a substratum from an earlier displaced language or a later borrowing from another language family, then characters are borrowed and used according to the rebus principle or invented in an ad hoc manner to transcribe it.

These new characters are generally phonosemantic compounds e. Except in the case of Written Cantonese, there is no official orthography, and there may be several ways to write a dialectal word, often one that is etymologically correct and one or several that are based on the current pronunciation e.

Chinese Symbol For Werewolf

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